Janne Stark’s Top 15 of 2023

So here’s my Top 15 of 2023 (with some extra honorary mentions). If you miss some stuff it may actually be because I actually haven’t heard it (or maybe it wasn’t to my liking enough to make the Top 15). 

Wytch Hazel – IV: Sacrament – Outstanding proggy hard rock, like a mix of classic Demon and heavy Jethro Tull with a NWoBHM touch.

Cloud Catcher – Return From The Cauldron – Ball busting US powerful riff rockers do it again! 

A.C.T – Falling – My favorite Swedish pop-progsters never disappoint! 

Blindstone – Scars To Remember – Martin sure knows how to riff!!

The Cold Stares – Voices – US blues rockers that deliver yet another killer album!

Dirty Honey – Can’t Find The Brakes – The 70s rules! Dirty Honey proves it!

Beastmaker – Body And Soul – Previously unreleased demos, yet, bloody great stuff! For fans of classic Black Sabbath.

Vandenberg – Sin – Mats Leven has sure brought a new touch to this excellent classic band!

Timechild – Blossom & Plague – The Danes manage to follow up their debut with an even better album! 

Prins Svart – Till vårt försvar – Mats Leven, again, delivers the goods with these excellent Swedish riff rockers!

Tania Kikidi – Wings Of Freedom – Tania has leather coated vocal cords, perfect for this bluesy metal album!

Ego Planet – Ego Planet – More outstanding heavy riff rock! A KILLER debut!

Bloody Dice – Bloody Dice – A new Danish power combo that shows that Danish Dynamite is still highly explosive!

Zhiva – Into The Eye Of The Storm – Excellent heavy melodic Swedish rockers!

Future Elephants? – The Past Was A Blast… - Just love these slightly quirky Swedish progy rockers!

Honorary mentions:

Care Of Night – Reconnected – Killer AOR!

Sour Cream – Sour Cream – More killer retro riffing!

Sass Jordan – Live In New York Ninety-Four – Sass rocks! What a killer live album!!

TANIA KIKIDI – Wings Of Freedom (CD)

Greek vocal powerhouse Tania Kikidi follows up the excellent 2021 album “Rock & Roll Paradise” with a new belter of an album. The album kicks of with the rockin’ “Rise” that almost touches on classic 80s metal and bands like Riot or Metal Church, but with a more 70s sounding chorus. All the instruments, mixing and mastering are handled by the multi-talented Stavros Papadopoulos who does a killer job sounding like a whole band of different musicians. The title track continues and again I have to say vintage Riot does come to mind, and that is in my book by no means a bad thing. On the contrary, the early discography of Riot are among my favorite records. This is definitely classic metal with a new touch. “Loud And Proud” touches on 70s heavy rock and made me think of bands like Rockicks and Hydra, with Tania taking the vocal department to a whole new level. A killer track! “Broken Dreams” is a cool up-tempo classic rocker keeping the pace up going into a kickin’ cover of Sass Jordan’s “High Road Easy”. Tania and Stavros do a great job with it, but it’s almost impossible to surpass the unearthly energy and power of Sass, Brian Tichy and Stevie Salas, but a great version, nonetheless! “Heart Painted Blue” is a cool, heavy bluesy number giving the album another touch of color. “Confession” takes us into a Dio:esque landscape with a touch of Sabbaths “Heaven And Hell”, while “Breaking It Down” kicks off with riff heaven. Heavy, funky and rockin’ with Tania’s voice as the icing on the cake. “Bleed” keeps the riff machine going, while “Pain” revvs up the metal machine again, going back into vintage Riot territory.”Foolish Lover” is a cool, bluesy ballad kicking off with a killer solo from Stavros. The album finishes with the beautiful acoustic ballad “Sea Of Tears”. A very nice ending to a kick-ass album! Killer vocals, awesome playing, killer production and a cool cover to match it! Get it! 

Janne Stark

Label: Grooveyard Records

Year: 2023

Country: Greece

Link: https://grooveyardrecords.com/

RUFFYNZ – III (CD)

What could go wrong with a line-up boasting guests like Pat Travers, Pat Thrall, Bumblefoot, Tony Franklin, Dave Meniketti, Derek Sherinian and a line-up featuring the legendary Carmine Appice, Lizards’ bass player Randy Pratt guitarist JZ Barrell and singer Ed Terry? Judging from the heavy funky opening track “Street Corner High” – nothing it seems! Ed has a really cool gritty rock voice with fits perfectly with the heavy funky rock vibe. Killer solos by the two Pats as icing on the cake! Great heavy and analogue sounding mix by JZ Barrell further enhances the experience. “Looking For The Edge” introcuces an almost psychedelic vibe to the mix and Ed actually reminds me a bit of Eric Martin in the verse. With a mix of Bumblefoot and Derek Sherinian adding their vibes to the song it really gets far out (in a good way). “Malevolent Fool” feels like a blues for the new decade. Heavy, chunky and brutal with a modern touch, and Tracy G adding his guitar weirdness to it pushes it yet another bit. “Red Lines” is another heavy and funky rocker with Randy’s fuzzed out power bass leading the way. This one is also adorned with a bit of Bumblefoot geetar majik. “Playhouse” is a slightly softer, almost soul funk-oriented, number that sees Carmine re-unite with his old Blue Murder colleague Tony Franklin. It also features some cool harp playing from Randy (who used to help out in Cactus as well). “Electric Mind Control” takes us back into the heavy funk mode with Randy adding some cool nasty wah-wah to his bass. On this one Vinnie Moore adds a solo. The cool shuffle number “Cadillac Walk” features former Cactus colleague Jim McCarty on guitar, adding some cool slide vibes to the album. “Far Too Long” takes us back into the heavy riff territory. The mix is ultra-heavy with bass taking lead and fuzzing it out into oblivion! Dave Meniketti delivers a rippin’ solo. “Warm Oasis” is kind of an odd number with an almost jazzy touch. The album finishes with the heavy and brutal “Hanging” featuring Tracy G. Ruffynz is Randy Pratt’s baby and it does show in the heavy bass department, but it fits perfectly with the heavy funky vibe of the songs. It’s not your run of the mill funky rock album, but has a lot of interesting twist and turns and the vocal and musical contributions are top notch! A highly interesting album to really sink your teeth into!

Janne Stark

Label: Hyperspace

Country: USA

Year: 2023

Link: https://www.hyperspacerecords.com/

KING MOUNTAIN – Wrath Of The Gods (CD)

This is the fourth physical album (their sixth in total) in that many years by Greek bluesy stoner rockers King Mountain. On guitar and vocals, of course, the multi-talented Stavros Papadopoulos. The album starts out pretty cool and calm to burst into some really heavy, almost doomy riffs. It evolves into a really nice semi-soft, heavy bluesy number, the ones you usually find in the second half of an album. It almost has kind of a King’s X vibe to it, as well. Interesting! “Firebringer” brings in a bit of classic metal into the mix. “Evil Deadly Nights” is as slow and doomy as they come, while “Midas Touch” is a nice acoustic ballad that turns into a slow epic heavy number. “Until the Day I’m Gone” is another crushing metal number. “Axecalibur” is crushing riff monster featuring some killer bass playing from John Christopoulos and brilliant soloing from Stavros while “Retribution” is another heavy rock hitter. I’m not sure why this band is often labeled as a “stoner” band. This is classic heavy rock with some heavier passages and quite a nice variety in the song writing. A great album indeed!

Janne Stark

Label: Grooveyard Records

Country: Greece

Year: 2023

Link: https://grooveyardrecords.com/

REMUDA DUST – The Speedball Years 1999-2001 (LP)

Ozium keep chugging out great stoner/retro hard rock. Next up is Swedish retro/stoner band Remuda Dust. The band released the three-track EP “Superhighway" in 2000 and then nothing more happened. Now Ozium is finally releasing an album with the bands collected work. Eight tracks, recorded between 1999 and 2001 (as the title suggests). Remuda Dust is a pretty rough-edged, slightly garagy unit. The guys look and sound quite young (which they probably at the time) and especially the vocals have that young and unruly touch to them. “Facing The Engine” on the other features some really mature sounding guitar solos. “Cactus Canyon” is almost punky in its attitude, with a touch of Sator at times. The first three tracks were featured on the band’s only release, and you can clearly that the track “Bleed”, produced by Janne Bark, that ends sida A, is recorded at a different occasion. The guitars are fat, fuzzy and really brutal. A great high-energy track. The tracks on side B were produced by Johan Carlsson and the opener “Baby Blue” opens with some pure barbwire guitar. This is definitely garage stoner in its purest form. Raw and unpolished with a punkish attitude. I came to think of that this is probably what it would have sounded like if The Sonics had reunited as a stoner band. “Emotional” continues in a more boogie-oriented vein. The guitars sound like they have been in a frying pan for about four hours! “Tijuana” continues in a heavier vein, and is probably my favorite on the album. “18-wheeler” ends the album in a more up-tempo stoner-shuffle vein. This is raw, rough, juvenile, powerful, crunchy, fuzzy stoner rock straight from the crotch!

Janne Stark

Label: Ozium Records

Year: 2023

Country: Sweden

Link: https://oziumrecords.bandcamp.com/

Future Elephants? – The Past Was A Blast… (CD/LP)

Future Elephants? Current Dinosaurs? I don’t know about the elephants, but these guys sure aren’t no dinosaurs. They may have been in the game since Jeebo walked around in shorts, but these guys manage to find ways to up the old game of prog-infused rock. This is the third outing from this band, and it sure doesn’t disappoint. Singer/guitarist Roger Holegård (of Neon Rose fame), guitarist Dante Holmberg (formerly of Uppåt Väggarna, Strix Q etc), bass player Anders Lundguist and drummer Sigvard Frenzel again being out a really nice slab of music. We get a nice variety of sounds and colors We have rockers like “Shake The Snake”, passing semi-soft almost pop-folksy songs like “Ground Floor Man” on to the classical sounding intro of “Walking With a Dead Man” that goes into some really cool heaviness with a touch of Jethro Tull. Side one of the vinyl ends with the odd semi-ballad “Rain” with moody, yet slightly proggy twists. Side two starts with another cool slightly proggy semi-heavy number named “Bring In The Judge” with a really powerful chorus. “The Planet’s Crusaders” goes in a different direction, bringing in some blues rock with a quirky guitar melody that really gets stuck in your head. For some reason it made me think of Dire Straits “Money For Nothing”, but better. “Peter’s Demons” takes us back to the proggier regions with a touch of vintage Blue Öyster Cult. Really cool guitar solo from Dante, too. The album ends with another killer straight ahead rocker entitled “Drink” with more of Roger’s excellent lyrics. He mixes tongue-in-cheek stuff with some deep meanings, which I really like. I’ve been a fan of his lyrics since back in the Neon Rose days. I also really like the analogue sounding production, very modern retro. The sound is great, the playing is stellar and Roger’s vocals fits the music like a glove. What’s not to like? Get it!

Janne Stark

Label: Rock Music Production
Year: 2023
Country: Sweden

Matti Norlin & Anders Norudde – Blåställ (CD)

Matti Norlin started his career in metal bands like Wizard and Ninja, but soon slided into the blues with solo releases and the excellent band Badge. Here’s another release in the blues school. This time together Anders Norudde on violin, bagpipe, cow horn (?), Willow flute and various odd instruments. ”Håll käft” (shut up) starts off with its cocky attitude dealing with the current machine based music. Cocky up-tempo blues with odd musical coloring. ”Aldrig riktigt nöjd” (never completely satisfied) reminds me of ”Come On In My Kitchen” by Robert Johnson, but when I checked the credits it was actually an old Muddy Waters number. “Flaska kär” (bottle dear) is a classic porch blues, where I kinda feel the fiddle is more in the way than helping. The guitar would be enough here. All in all I really like the songs, I love Mattis vocals and his guitar playing, but I do feel there are sometimes a bit too many instruments, where I feel some don’t really fit in, or at least get a bit too much space in the music. 

Janne Stark

Label: private release
Year: 2022
Country: Sweden

Highproject – Highproject (CDr)

Highproject is a Swedish progressive rock band featuring former Zello keyboard player Anders Altzarfeldt. Opening track “1000 People” reminds me a bit of vintage Asia, but with a slightly heavier edge. This was a really nice surprise! The album was one of the many Corona albums where the members recorded each at their own home/studio. You honestly can’t hear it. It all sounds very “together”. Besides Anders, the band features Stefan Andersson (Sonic State Capital) on bass, Bjarne Forsbom on guitar, Mikael Grönroos (ARA) on drums and Robert Johansson Lind (ARA, Heathen’s Eye, Ability) on vocals, acoustic guitar and percussions, plus guest singer Lovisa “Loa” Pigani. “Trust In Me” continues in the same vein, but also draws close to vintage classic prog bands like Nektar and Yes, and even a bit of early Saga here and there. Robert is an excellent singer with a broad range and a strong voice. Great melodic feel, too! The arrangements are quite intricate and there are a lot of different themes and passages in the songs which makes this a really interesting listen. “Prime Time” initially offers some pretty heavy and intense guitar riffing, but it soon switches gears into a heavy, yet dynamic vein with really cool keyboard patterns coloring the musical landscape. This is really brilliant, I must say! “Rhayader Goes To Town” is the only cover out of the six numbers, originally written by Camel. Even though I’m a big fan of progressive rock and bands like Kayak, Nektar, Yes etc., but I’ve never really listened to Camel. Listening to this song, I realize I probably should. I don’t know how close to the original these guys do it, but this is a really intricate and interesting song, indeed. Quite playful and with some really cool twists. This album REALLY deserves a proper release!! I know lots of prog fans who would drool over this! 

Label: private release

Country: Sweden

Year: 2023

Link: https://www.highprojectband.com/

Craig Erickson – Modern Blues (CD)

Craig Erickson is a true groove master. He’s been true to the heavy, groovy blues rock since his debut “Roadhouse Stomp!” in 1992. It’s been a few years since his last physical album "Sky Train Galaxy", which was released in 2015. “Modern Blues” is really an example of what you read is what you get. Of course, “modern” can mean a lot of things. In this case it’s not about samples, machine generated grooves or auto tune abominations. It more the vibe. It’s blues and it’s rock and it doesn’t sound dated, which would qualify as “modern” in my book. The guitar is definitely in the forefront, and it’s Craig handling both guitar, bass, keyboards and vocals, only taking some help from drummer Jeff Sipe. I’ve always felt Craig has a pretty strong Robin Trower vibe to his vocals and playing, and it’s no different this time around. The vocals are pretty relaxed, yet rough, but no high pitch screaming, rather the missing link between James Dewar and Billy Gibbons. The guitar playing shines throughout the album and some songs that kinda stick out to me is the incredibly cool fuzzed out “Bring Love Back Again” with its funky vibe and brutal guitar licks and also the heavy, yet dynamic “Brokedown World” with its subtle but really beautiful Uni-Vibe Strat tone. I also can help to mention another song that sticks out a bit, which is “Wildfire”, which starts out a bit reminding of vintage southern rockers The Outlaws, but goes into a more funky direction. A really cool number with some intense and outstanding guitar solos with a cool fusion oriented vibe to them. Highly recommended!

Label: Fervor Records 

Country: USA

Year: 2023

A.C.T – Falling (MCD)

My favorite Swedish melodic progsters are back again! After two EPs, they now deliver what could be considered a classic 70s vinyl length album, clocking in a 30 minutes and 8 seconds, but would today be considered a mini-alnum. The album starts with the short “Fall In” intro which is just a short runway into the excellent heavy and melodic “Digging A Hole” with some really cool technical mid-sections. This is A.C.T in their prime. An outstanding song, indeed! Next up is “The Girl Without A Past” where we get to revisit Emilie who first had a song of her own on “Today’s Report”, and who still has problems with her memory. It’s a quirky song that starts out quite soft, but picks up into a pompy and theatrical chorus. There’s a lot of classic early Saga in the keyboard/synth arrangements, I feel. Lots of different vibes and parts, which really makes this listen experience a thrill. Next up we have the kinda stroll along, pretty straight forward and slightly poppy “Breathe”, a song you can’t help bobbing your head to. Despite being “straight forward”, it of course has some really cool and quirky passages, especially in the solo section. With A.C.T “straight forward” isn’t really the same as AC/DC “straight forward”. There are different levels , you know. “A Race Against Time” gets us into a heavy, energetic proggy intro with a pretty naked verse that moves into a power bridge. Another hard hitting number that shows A.C.T has so many more tricks to show us. This is brutal!! “One Last Goodbye” is really classic sounding A.C.T in their strutty, prog-pop vein. As usual the vocal layers and harmonies are exquisite, the musical technicalities and arrangements are out of this world. “The Earth Will Be Gone” gets us back into the theatrical and pompy world, of course with some reggae-infused parts thrown in for good measure. A very interesting vocal mid-section which really enhances the theatrics, and almost moves us into a Broadway musical. These guys never cease to surprise and amaze. Listening to this CD is definitely the best spent 30 minutes today! 

Janne Stark

Label: ACT World

Country: Sweden

Year: 2023