John Waite - Rough & Tumble (CD)

Holy crap!! I’ve been a fan of John Waite ever since I heard The Babys and “Looking For Love” on Swedish radio back in the seventies! I’ve enjoyed most of his solo stuff, too, especially the rockier stuff like “Ignition” and “Rovers Return”. I also had the great pleasure of seeing Mr Waite live in Augsburg, Germany not that long ago and man, he still rocked! Great backing band, too! So, how’s he doing on record? Well, his new album starts off with one nice firecracker of a song, the title track. My first impression is I love the naked, rough, rocking sound. A guitar, a bass, a set of drums, some occasional keyboards and the great voice of Mr W. No unnecessary overdubs, no annoying over-Americanized reverb. This sounds like a pure melodic rock album made with love and honesty. “Shadows Of Love” is another melodic rocker that takes us back to Waite in his best form.

Don’t be fooled by the title of the next track - “Evil”. It’s not the old seventies song and it’s no detuned heavy rocker. Here’s a cool melodic rocker, maybe not as hard hitting as the openers, but still very enjoyable indeed. What really makes it work is that John Waite still possesses THE voice! Next up is a classic Waite-sounding ballad, ornamented with some acoustic guitar and piano. It’s of course hard to exceed tracks like “Missing You” or “In Dreams”, but he does try and this one goes a long way. This time John is using the guitar talents of Luis Maldonado and Kyle Cook (Matchbox Twenty). The latter also co-wrote a bunch of the tracks. “Skyward” is another semi-ballad following in the same vein as the stuff Waite produced on albums like “Temple Bar”.

The cover of Tina Turner’s “Sweet Rhode Island Red” opens up sounding like mid 90s ZZ Top with dirty finger-picking phat guitars and some shuffle-style snare drumming making this an outstanding full throttle bluesy shuffle rocker. Waite sings his heart out, as usual, no holds barred! “Love’s Going Out Of Style” is a mid-pace semi-soft track with almost reggaeish guitars and a cool Nashville sounding chorus. Great bluesy solo from Kyle. There’s even some saxophones in the chorus, but very much in the background. I hate sax, but for some reason they do work well here. “Better Off Gone” kicks off with a nice guitar riff and continues in a melodic upper mid-tempo mode with the classic Waite tone all over it. It has a cool car driving mode to it, made for a top down ride, full on sunshine and sunglasses on! Next up is “Further The Sky” which is a really cool bluesy ballad with some great guitar playing from Shayne Fontayne. Again I have to praise the earthy, unpolished production giving you the feeling of the band being in the same room as yourself. I truly love that!

“Peace Of Mind “ is a track that sticks out a bit with its spoken verse. Not bad, but not really at par with the other tracks. On the other hand I truly LOVE John’s new version of one of my old favourites “Mr. Wonderful” from the “Ignition” album. Luis Maldonado does a great work on guitar giving it a dirty, bluesy live-feel. This version really rocks! Sometimes you shouldn’t mess with old classics, but this time I won’t complain, at all! Love this version! The second bonus track, “Hanging Tree”, is a previously unreleased track recorded for the sound track of the movie “Me And Will”. A great soft acoustic ballad with John singing as soulful as only he can do. There is no doubt, John Waite has again exceeded himself! I’m prepared to rate this album as one of his best releases ever, and for me “Ignition” is way up there!

9/10

Janne Stark

Year: 2010

Country: UK/USA

Label: Frontiers

www.johnwaite.com

MANGROVE - A Distant Dream Of Tomorrow (CD)

Transubstans Records have a nice tendency of picking up all the great retro bands of our small but fruitful country. Mangrove made their debut in 2009 with “Endless Skies”, a great debut indeed. The follow-up does not disappoint, on the contrary. “A Distant Dream If Tomorrow” continues where the debut left off. Heavy riffs, great melodic vocals, great musicians and a more classic seventies hard rock sound than stoner. The dead heavy riff in “Never Again” reminds me a bit of bands like vintage Sabbath with a touch of Sir Lord Baltimore. They even have the Black Sabbathian simultaneous dual guitar solo, one in each channel. You don’t hear that too much these days. In the true Sabbath/Zeppelin manner they also mix it up with some nice mid tempo balladry in tracks like “I’ve Been Seen Upon The Sun”. I think I said this in my review of the debut, but I’ll say it again, singer Kataja reminds me quite a lot of Magnus Ekwall of The Quill, which is top notch in my book. They do turn a bit more stoner in some tracks, such as “Mean Woman Blues”, but they still keep their high standard. I also really like the earthy, analogue sounding mix of the album. It’s an album where it actually does happen something when you turn it up! It hasn’t been deviously destroyed in some malicious mastering process where compressors and limiters make everything sound louder than everything else. I hear dynamics, something that unfortunately a lot of albums of today lack. This is a great sounding power trio with all individuals making a serious musical imprint in each and every song. Great stuff indeed!

Janne Stark

Label: Transubstans

Year: 2010

Country: Sweden

www.myspace.com/mangrovesweden

Hasse Fröberg & Music Companion - Future Past (CD)

Former Spellbound, current Flower Kings singer Hasse Fröberg has now compiled all his musical ideas into a masterful musical melting pot. He actually has invited some former Spellbound colleagues to accompany him, such as bass player Thomsson and drummer Ola Strandberg. Besides these fellas there are ace guitarist Anton Lindsjö and keyboard player Kjell Haraldsson. If you’re expecting the good old melodic 80s metal of Spellbound, forget it. If you’re however a latter day fan of Hasse’s where his vocal performance in The Flower Kings is of your liking, you should definitely check this out. HFMC is a highly progressive/symphonic band in the vein of The Flower Kings, but actually with a more melodic edge, still very heavy at times though. There are actually even hints of Saga in places. In the later part of “Fallen Empire” for example, where the chorus has more of an AOR/pomp-touch. I also hear influences of Yes and Genesis in the subsequent “Song For July”. Hasse feels a bit more relaxed and free vocally compared to The Flower Kings, more akin to what he did in Spellbound, but with a more mature touch. The songs are very well constructed and the arrangements are killer. A song like 14 minute “Piece Of The Sky” NEVER gets boring, on the contrary, it keeps surprising you all the time. With Queen-like precision the song slithers seamlessly from poppy sing-along parts, though heavy guitar riffs to proggy parts. These are some great musicians, too, I must say! Lindsjö is one hell of a guitar player that at times shows quite a jazzy side to his playing, which gives the songs yet another dimension. “Above” is yet another killer track which also moves through several musical dimensions, starting out with a dead heavy riff that changes into a subtle Pink Floydish landscape with Lindsjö sounding like he was breast fed with Gilmour’s smooth guitar melodies. This is nothing short of awesome! No offence to The Flower Kings, but I personally like this way more! For some reason I kept thinking about the golden oldie “You Keep Me Hangin’ On” when I listen to “Everyday”. Never mind, it’s probably just my ears. “The Ultimate Thrill” has to be my absolute favourite track, though. This is HEAVY rock!! Old school classic heavy rock with concrete heavy guitars á la carte! Awesome, indeed!

Janne Stark
Year: 2010
Label: Reingold Music
Country: Sweden
http://www.hassefroberg.com/
http://www.myspace.com/hassefrobergandthemusicalcompanion

Thalamus - Sign Here For Nothing (MCD)

Thalamus is a band that caught my attention already at their demo stage. I’m also proud to say I had the pleasure of adding a guest solo on a track on the band’s debut album, which is one hell of a debut! I shall also say I have no involvement in this release, meaning I’m not biased, sorta... Anyway, biased or not, this band is the wet dream of any fan of heavy riff oriented 70s hard rock! They remind me a bit of Spiritual Beggard, with the same heaviness, but less stonery. The songs are solid as a rock, and the mix moves mountains. Kjell is also not your average stoner shouter, but has a voice more similar to Beggars first singer, Spice/Kryddan, with a higher pitch than most stonerbands, and of course more melodic. Still, the boy rocks! What I also love about Thalamus is that they don’t take the straight and easy road. Just listen to a song like “Black Day Sunday” with its cool backbeat rhythm and slightly quirky touch. The same goes for the cool but, also rhythmically quirky, “New Age Blues”. Don’t be fooled by the title, it’s no twelve bar standard plodder. This is riff magic of the first degree! Most of the songs are penned by tall boy bass-player Peter Johansson, who has an unerring precision for constructing great and interesting riffs and structures. Besides being a great singer Kjell is also a string-bender of the first order with a Leslie West-infused seventies vibe running down his spine. This platter was mastered by King’s X guitarist Ty Tabor, who did a great job enhancing instead of destroying a great recording. The band is currently in the studio recording a new album, which I’m sure will bring even more walls down! HIGHLY recommended!
Janne Stark
Year: 2010
Label: Scoj Music
Country: Sweden
http://www.myspace.com/thalamusband

NOCTURNAL ALLIANCE - The 3rd Phase Of Destruction (CD)

Nocturnal Alliance was formed in 2004 by former Twilight/Beyond Twilight members Micke Därth and Henrik Johansson. Before this Därth also recorded with the band Detest. Prior to this release Nocturnal Alliance has released a couple of demos, which I haven’t heard (unfortunately). This was however a nice surprise. The band has borrowed former Axia/Leviticus singer Peo Pettersson, a singer/guitarist who has released some solo stuff in a far more poppy AOR vein. Here he gets a chance to show his metal edge, which he should do more often. There are also guest appearances from Janne Ström (Slug) and Linus Abrahamsson (Mister Kite/The Codex).
“The 3rd Phase Of Destruction” is a nice power pack of progressive metal in the vein of bands like Shadow Gallery or a more light weight (technically, that is) Symphony X. It may not be filled with shredding guitar solos, but the ones that are there, they rock! The songs are very well-arrangements and keeps the listener interested all the way through. Nice changes of pace and rhythms, without being over-proggy. It’s on the other hand quite dramatic and almost Wagnerian in the approach at times, which makes me think a bit about the long lost Psychotic Waltz at times. The second last track is the wonderful prog-ballad “With” with female guest vocals by Michelle (no last name, I’m afraid), only overshadowed by the even better final track “How I’m Dead”, another very dramatic ballad that builds up to a crescendo. My only complaint would be the production which lacks a bit of ambience and power. It’s not bad, by any means, but I can only imagine what this would sound like in the hands of someone like Neil Kernon. Anyway, a great CD well worth investing in for fans of melodic and progressive high class metal.
Janne Stark
Year: 2009
Label: Private
Country: Sweden
Link: www.myspace.com/nocturnalalliancesweden

SIDEBURN - The Demon Dance (CD)

Sideburn are no nubes, but even if they were formed already 13 years ago, this is only their third album. They even put Def Leppard to shame. Well, there ends that comparison however. This Stockholm based trio picks their influences from the classic hard rock and bands like Black Sabbath, Led Zeppelin and Deep Purple. I did like Sideburn’s earlier albums, but I felt they sounded more like the average Swedish stoner band. Now I feel something has happened. Sure, there are strong vibes of colleagues like Spiritual Beggars and The Quill, but if you listen to the album’s third track “Song For Hope” influences from the more varied and solemn seventies shine through. This track feels more akin to Bigelf, but with a touch of the old symphonic bands. Here are soft, lengthy melodic parts that float like on clouds, to suddenly be interrupted by lead-coated riffs and Morgan Zoceks killer guitar solos. He balances his style between technique and blues, with a pretty big vibrato that owes a lot to Yngwie Malmsteen. The subsequent track “Fallen Sun” opens with nice guitar picking and a bass solo by Martin Karlsson, this one also with a nice symphonic touch mixed with heavy riffing. Martin also plays keyboards, which gives the album a new and well needed dimension. The band should however attract classic stoner fans, particularly in the crusher “Dyin’ Day”, where Jani Kataja sounds like a long lost cousin of The Quill’s singer Magnus Ekwall. This also sets him apart from most of the, sometimes a bit boring, traditional stoner howlers. Jani has a clear and pure voice, with a nice dose of white blues. I really like the fact that Sideburn resist the temptation to just grind, but instead take their time to soften the distortion a bit and use dynamics, like in heavy bluesy “Shining”. It has a nice semi-fat neck pick-up Les Paul on the rhythm chart. Once he lets it rip he just ups the volume and lets the natural power speak, instead of adding a lot of fuzz. This gives it a lot of dynamics, which is something I often lack today. Dynamics is also the word of honour in “Rainy Day” with its acoustic guitar and dry up-front vocals. When a cool electric guitar is added in the background and the drummer just adds some cool tom-tom playing, these guys prove they know what it’s all about. Furthermore the song keeps on building up to transform into a, slightly surprising, flamenco:ish theme which takes the song into a new direction. The relaxed “Shapes” with its almost eight minutes should give fans of Led Zeppelin value for money. I won’t say more, just – I recommend this one strongly!
Janne Stark

Year: 2010

Label: Transubstans

Country: Sweden

Link: www.myspace.com/sideburnsweden

MOJOBONE - "Cowboy Mode" (CD)

Holy-one-hell-of-a-fucking-shit! After too long silence Mojobone is back with a vengeance! This brainchild of Opeth/Spiritual Beggars man Per Wiberg has given the world two previous releases, who were killer, but they’ve actually managed to blow these away! This is down and dirty, groovy, riff-heavy seventies influenced hard rock at its best! The title has to be one of the most misleading I’ve heard, though. It would be better off named after the track “Celebrate Armageddon”! I won’t go through every track, but opener “Over The Hills” (not the Gary Moore cover) sets the style and pace right away. Heavy, groovy and with ultra-phat riffing. Besides handling the keyboards, guitars and bass, the multitalented Wiberg also handles the vocals. And, he does it great! “Damaged Gods” continues with some gritty drums, courtesy of Marcus Källström (Stonecake, Sky High) and some wah-wah guitars by Spiritual Beggars colleague Mike Amott. “The Peacemakers” takes off in a cool mid-pace with some clean guitars and an almost poppy verse, with the chorus proving to be one of the coolest, grooviest and most hook-laden grooves in a long time, accompanied by some hand clapping. When was the last time you heard hand clapping on a modern hard rock album? It’s followed by one of the heaviest and doomiest riffs I’ve heard in a long time, “Cowboy Mode”. Simple, but oh so effective! Really cool stripped down verse with a brutally fat and distorted bass supporting the vocals. “The Ones That Got Away” starts with some acoustic guitar, but soon kicks off in a cool up-tempo backbeat tempo. This one has some cool Zeppelin overtones and shows the talent of young blues guitarist Christopher Shoori. “Shadow King” also shows the diversity of Mojobone with its soft, almost proggy, touch. “25 Years” also shows a new side of the band, starting off in an vein close to Black Crowes meets The Soundtrack Of Our Lives (but good…). My preference for album title, “Celebrate Armageddon” is an awesome, heavy and funky track, that builds up in a really cool way. It reminds me a bit of Danish rockers Blindstone, which is a great thing in my book. “End Of Music, End Of Story” starts off with a slow, heavy lonesome, fuzzy guitar riff that sets the pace for this slow, almost doomy rocker. The verse is cool and based on drums, vocals and piano, while the chorus brings in the heavy artillery. The album ends with a cool porch blues version of “Over The Hills” which ends the album in a cool way… and now I did go through all the tracks anyway… Well, go out and get it!
Year: 2010
Labe: Hippodome
Country: Sweden
Link: www.myspace.com/mojobone