Monday, 6 February 2017
Future Elephants? - Future Elephants? (2LP)
You may wonder whatever happened to Neon Rose singer Roger Holegård. Yes, he did record some stuff with Truck and Wasa Express, but that was ages ago. So, finally, he's teamed up with guitarist Dante Holmberg (Uppåt Väggarna, Strix Q), bassist Anders Lundquist and drummer Rolle Lindgren and formed a zoo, we'll at least the elephant section, the future elephants section… probably, hence the question mark, I guess... No idea about the name, but somehow it does stick out. Damaged Child opens the album and man; this was a nice surprise. Even though I love the heavy rocking style of Neon Rose, Future Elephants? well-arranged prog rock really strikes a positive nerve. The sound is raw, naked and dynamic, very analogue sounding. I just love the minimalist production with nothing to hide behind. The songs are intricate, well-arranged yet very easy accessible. In The Tide Is Rollin In You can almost hear Danne standing on the side just waiting to throw in a riff. Then suddenly we're off in guitar land, reminding me of Automatic Fine Tuning (or Wishbone Ash on steroids). Damn, I love this! Ivory Dance reminds me a bit about Crack The Sky, with lyrics handling the extinction of beautiful animals just for our money and pleasure. Roger's still got it, both vocally and lyrically. In This Tone opens up with some guitar licks that sound so genuinely guitar through amp that any digital device would crumble and die. Add a bit of mellotron, some drunken pub chanting and you feel like you've been transported back to 1974. Love it! Sundown In Matobo takes us to Africa, I guess, I'm not really sure about the dialect, though. November Pain initially takes us into a dark, heavy and gloomy territory, but moves on to softer grounds and suddenly we land in a Pink Floyd:ish landscape with Dante going all Gilmour on our asses. Really beautiful stuff with killer guitar playing indeed! And The Mountain Kissed The Sky mixes Swedish folky vibes with Native American drums and a feel of Mountain's Nantucket Sleighride. Don't Raise That Gun with some vintage AC/DC sounding riffing and makes me think of Baby, Please Don't Go, except for the heavy and doomy chorus. Album finale The Pilot ends the album in a great proggy manner featuring both sunshine and rain (literally). An outstanding album that should attract all fans of 70s progressive music with biting guitar-work and intricate but accessible songs. Quite the masterpiece!
Label: Rock Music Productions